The Homecoming (adapted)
Conceptual Set & Costume Design
Carne Studio Theatre, LAMDA, 2024
Original Play Writer - Harold Pinter
Director & Adaptor - Haiqing Liang
Set & Costume - Yijing Chen
Ruth is a woman who explores power dynamics in her husband's all-male household. Her struggle for power in a patriarchal system has similarities to the experiences of East Asian women struggling in a white male-dominated industry. Within the Western male gaze, Eastern women are labelled and objectified. By "conquering" Oriental women as a proof of "conquest" of the Orient, sex is used as a weapon of domination by the masculinist.
This “The Homecoming”, set in contemporary Britain, recasts the family butchery business as a small pornographic film studio, adapting the play around the theme of sexual racism. Ruth will be cast as a British East Asian while the male characters are white. The characters' relationships remain unchanged with added racial context.
In-the-round set design immerses the audience in the multifaceted experience of being a racial victim, which also allows the audience to experience how this “invisible” prejudice transcends pornography and affects the daily lives of East Asian women.
![open.jpg](https://static.wixstatic.com/media/2b8f45_18b0fee606a746ac9a49854a6343df76~mv2.jpg/v1/crop/x_0,y_211,w_3508,h_1350/fill/w_1512,h_582,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/open.jpg)